![]() ![]() Aural training involves various exercises and activities that are designed to improve a musician's ability to distinguish pitch, rhythm, harmony, and timbre. It is an essential part of music education and is used to develop a musician's listening skills. In this section, we will provide an introduction to aural training.Īural training is a method of training the ear to recognize, identify, and understand different musical elements. Aural training is a crucial aspect of music education because it helps musicians to develop their listening skills and improve their overall musicianship. It involves training the ear to recognize and understand various musical elements such as pitch, rhythm, harmony, and timbre. Introduction to Aural TrainingĪural training is an essential part of music education that aims to develop a musician's ability to identify and distinguish musical sounds. Removed Tts_version 5.Aural training: Developing your Ear through Interval Schemes 1. OL17756489W Page_number_confidence 63.30 Pages 470 Pdf_module_version 0.0.18 Ppi 360 Rcs_key 24143 Republisher_date 20220629144659 Republisher_operator Republisher_time 1157 Scandate 20220623092057 Scanner Scanningcenter cebu Scribe3_search_catalog isbn Scribe3_search_id 9780393264067 Sent_to_scribe Source ![]() Urn:oclc:record:1336100470 Foldoutcount 0 Identifier musiciansguideto0000murp Identifier-ark ark:/13960/s2bc5zrvmq9 Invoice 1652 Isbn 0393264068Ġ393621820 Ocr tesseract 5.1.0-1-ge935 Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 0.9790 Ocr_module_version 0.0.16 Ocr_parameters -l eng Old_pallet IA-NS-0001190 Openlibrary_edition Set-class tableĪccess-restricted-item true Addeddate 13:08:22 Associated-names Phillips, Joel, 1958- author Marvin, Elizabeth West, 1955- author Clendinning, Jane Piper, author Autocrop_version 0.0.14_books-20220331-0.2 Boxid IA40579115 Camera Sony Alpha-A6300 (Control) Collection_set printdisabled External-identifier Modulation to closely related keys - Binary and ternary forms - Appendix 1.Try It answers - Appendix 2. Soprano and bass lines in eighteenth-century style - The basic phrase in SATB style - Dominant sevenths, the predominant area, and melody harmonization - Expanding the tonic and dominant areas - Diatonic harmonies and root progressions - Embellishing tones in four voices - The vii 6, vii 7, vii 7, and other voice-leading chords - Phrase structure and motivic analysis - Diatonic sequences - Secondary dominant and leading-tone chords to V - Tonicizing scale degrees other tha V - Part three. Pitch and pitch class - Simple meters - Pitch collections, scales, and major keys - Compound meters - Minor keys and the diatonic modes - Intervals - Triads - Seventh chords - Note-to-note counterpoint - Melodic/rhythmic embellishment in two-part counterpoint ![]() "For use with the AP Music Theory course" - coverĪppendices located between parts one and two/three Includes registration code for access to online recordings (single user only) on separate card "This Ear-Training volume develops listening and writing skills, including composition, in assignments that students may complete in class or as homework."-Page vii These chapters include every topic covered on the AP exam. This AP edition includes chapters 1-23 of The Musician's Guide to Theory and Analysis Workbook and The Musician's Guide to Aural Skills: Ear-Training. The authors have served as AP readers and test development committee members they are also regular consultants at AP workshops and summer institutes. Corresponding written and aural chapters make coordinating written theory and aural skills easy. The aural skills and written texts cover every topic in the AP Music Theory curriculum. The Musician's Guide is the only text that offers a comprehensive and integrated approach to written theory and aural skills. This book is the ideal text for AP Music Theory. ![]()
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